lisbon continues to thrive musically and violet is one of the city’s most active artists. paraíso is her natural habitat - she contributed to the first-ever record on the label and has remained in its inner circle.
special 12 inch disco mix of >true love<, a rare disco classic by new horizon! the original 45rpm vinyl is a scarce and highly sought after disco boogie cut traded amongst those in the know. this is a chance to grab the mix no one has, for a limited time only. as a special bonus the out of print editdub3 is pressed on the b-side
LIFE & DEATH ON A NEW YORK DANCE FLOOR, 1980-1983 PART 2 (2LP)
2x12 Inch 29.01.19
representation of one of the most extraordinary periods in new york citys epic musical history. incl. tracks by edwin birdsong, george kranz, james white & the blacks, john robie, loose joints, material, peech boys, quando quango
lmajor marks his return to wncl recordings with another set of blistering originals, accompanied by in-house remixes from boxwork and west norwood cassette library
LIFE & DEATH ON THE NEW YORK DANCE FLOOR 1980-83 (2LP)
2x12 Inch LP 04.12.18
tim lawrence shines a light on one of the most dynamic and creative periods in the history of new york city with this 8 track compilation on double vinyl.
symbolism close out the year with a bang with their third release laying down deeeep dancefloor driven techno soundscapes to lose yourself in. lights off, join in!
new ep by producer mamazu from tokyo . hybrid house music such as middle east wind instruments and percussion, dreamy tropical grooves, tribal rhythm and african future soul session. topic that is already being played around the world. acid arab is favorite for his past work.bomb!
the bunker new york is excited to be releasing ldy oscs powerful debut ep magic of 8 which takes inspiration from liaisons dangereuses as much as it does from sähkö recordings and mayan cosmology.
the law of seven refers to the spiritualist philosopher gurdjieffs idea that the evolution of phenomena proceeds according to a universal seven-step process. clay tells us that while this idea did not strictly factor into the composition of these tracks, you could abstract some elements into the musical creation process. gurdjieff was quite a thinker, but also composed music so i thought the lines i was drawing carried some weight. in particular his notion that creation proceeds through increasing restrictions which i find to be incredibly relevant to my process at least. time limitations and performance settings particularly seem to allow me to be far more productive than just working freely with no solid end point in mind
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